Vi använder cookies (kakor) för att hjälpa dig att navigera effektivt och utföra vissa funktioner. Du hittar detaljerad information om alla cookies under respektive samtyckeskategori nedan.
De cookies som är kategoriserade som ”Nödvändiga” lagras i din webbläsare eftersom de är nödvändiga för att möjliggöra de grundläggande funktionerna på webbplatsen....
Necessary cookies are required to enable the basic features of this site, such as providing secure log-in or adjusting your consent preferences. These cookies do not store any personally identifiable data.
Functional cookies help perform certain functionalities like sharing the content of the website on social media platforms, collecting feedback, and other third-party features.
Analytical cookies are used to understand how visitors interact with the website. These cookies help provide information on metrics such as the number of visitors, bounce rate, traffic source, etc.
Performance cookies are used to understand and analyze the key performance indexes of the website which helps in delivering a better user experience for the visitors.
Advertisement cookies are used to provide visitors with customized advertisements based on the pages you visited previously and to analyze the effectiveness of the ad campaigns.
Free public guided tours in English are offered to all visitors every Sunday at 3 pm.
Aslan Goisum. Prism
Lunds konsthall 10 February – 12 May 2024
The internationally active Berlin-based artist Aslan Goisum was born in Grozny, Chechnya, in 1991 and educated in Moscow, Ghent and Amsterdam. The exhibition introduces his incisive practice in the current global context of change and upheaval. ‘Prism’ is Goisum’s first major exhibition in Sweden.
Four new works have been commissioned. Prism captures a young male performer’s body in a large prismatic video sculpture. Star, Table and Wheel are sculptural installations using basic geometric shapes to articulate Goisum’s observations of the continued prominence of imperial visual codes in northern Eurasia. Spear (2023–24) is an installation with books subjected to scalpel cuts. Object (2022) consists of seven fence-like steel sculptures, triggered by Goisum’s visit to a cemetery in Kazakhstan. In addition the videos Touch (2023) and Scythian Journey (2019) are shown, along with two installations of salvaged street signs from Grozny: Numbers (2015) and Fearsome (2011–ongoing).
Goisum studied both architecture and visual art, and he is known for video installations, sculptures and works on and with paper. These artistic formats have all been incorporated into the exhibition, in more or less hybridised form.
Guest curator: Anders Kreuger
